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Oubliette

by Flaying of Marsyas

supported by
Slevin
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Slevin Absolute madness. Love it Favorite track: Death Bore a Hole Through the Stars.
AbigailGazi
AbigailGazi thumbnail
AbigailGazi The instrumentals are so fucking weird and it sounds like He recorded his voice with a hairdryer that was powered by an potato.
I Love it. Favorite track: Swathe.
SEBASTIEN COTE
SEBASTIEN COTE thumbnail
SEBASTIEN COTE A few parts resemble a lot to Adam's music but hey, not a thousand microtonal bands outthere after all. still, it is interesting to see another composer explore that musical direction, and there are some very nice moments in there. Obviously for Jute Gyte fans. enjoy
bastard_wing
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bastard_wing amazing stuff, through and through!!
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1.
The sun is a blister in the sky Sanguine water sprung from everything Our feral flesh bites its hindlegs We multiply diseases for delight, Invent a horrid want, a shameful doubt, Luxuriate in license, feed on night This hideous filament dreams And prays for limestone weeds The impregnation of ergot in wild grass The inoculation of stillness into subcutaneous sleep Over the mass of fire Over laughter and madness Over crosses in fields Over pain and despair Over rubble and ash Over the river and the ruined town
2.
The curse of edification The plague of empiricism The trick of the eye of night Is the terror of the secret heart The multiplication of envy Euclidean horrors Cornices emerge through swarming black clouds In grand halls Hidden bodies singing The brutalities of song The endlessness of rock The illusion of arms Stark white muscle strobing Sinew swaying like the great weave Stupefying architectures of pain and brilliance Embellishment born of rotting flesh Fated to masticate these swarming black clouds Flies make the moulding, make the mantle
3.
Firmament 08:41
4.
Swathe 08:38
The rose that spurts forth from kissing edges And the milk that never stops running Incomprehensible laughter is only dimly heard by dawn Through the thick agony of the night Silence and concentric fires radiant behind the limit of memory Distended opulence and the fauns that roam the murky enfilades of the abdomen In blades that open bodies The golden shear and the felled lock The fountains of morning rain down And the mirror goes dark Headless forgotten maiden I see you now
5.
The three-pronged heart The hanging droplet of blood sways like a lantern The penumbral kiss on the gangrene eye The cataract of rain The swollen antecedent stream reflects no sky The labored howling of dogs Who build homes from burnt planks Waiting for a latent dawn
6.
The trepanation of the great maze within the bull Born with a veil Bastions of desire Stuck in the miry fissure of time The natural hand Burned, broken, small and silent Instruments of waste Tools of nothingness forever Hinges that wither Like petals curling inward Shying away from light Braids of open bodies Like the heavy lines of a tangled chain Crawling along the ground Despair and aimless straying Vacillating through obscure dark arcades We prostrate in destitute meaningless patterns Egret faces recede in dark rooms Like the piling of ash ALAS, COULD WE HAVE A GOOD DESIRE IT WOULD BE THIS WERE THERE A MILLSTONE THE LENGTH AND BREADTH OF THE WHOLE EARTH AND SO LARGE IN CIRCUMFERENCE THAT IT TOUCHED EVERY INCH OF THE FIRMAMENT AND WERE A LITTLE BIRD TO COME AFTER A HUNDRED THOUSAND YEARS AND PECK FROM THAT STONE A PIECE ONE-TENTH THE SIZE OF A MILLET SEED AND REPEAT THIS PROCESS ONCE IN EVERY HUNDRED-THOUSAND YEARS SO THAT IN A MILLION YEARS, A PARTICLE THE SIZE OF A WHOLE GRAIN OF MILLET SEED WOULD BE PECKED OFF THE MILLSTONE, WE WRETCHES ONLY PLEAD THAT OUR PUNISHMENT WOULD COME TO AN END WITH THE END OF THAT STONE, AND EVEN THIS CANNOT BE

about

This album developed somewhat painstakingly over a year and half, exploring new possibilities on a guitar I modified to play in 16-TET. It enlightened me to a new understanding of pitch and harmonic relationships, and was an exciting venture to essentially relearn the guitar. There are parts I am proud of and excited about, and parts that continue to frustrate me even after the fact. I am eager to move forward and develop both of those aspects.

The many thanks of this fragile debut are indebted to Vivian Cecylia T., Adam Kalmbach, Prof. Elaine Scarry, Laszlo Krasznahorkai, Ernest Becker, William Langland, Maxim Gorky, Rem Koolhaas, and J.E. Cirlot.

"Death Bore..." borrows lyrics from Anton Schnack's "Nocturnal Landscape" and Marcia Lee Anderson's "Diagnosis".

The concluding sample in "Ill-Smelling Body..." is Henry Suso's analogy of an eternity of suffering.

credits

released November 20, 2022

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Flaying of Marsyas Queens, New York

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